DHNET.BE | Créer un Blog | Avertir le modérateur


Breaking barriers for Filipino fashion designers

Josie Go President and CEO KARIMADON
(Photo:formal dresses melbourne)

Josie Go has always been the fashionista that she is. She loves to dress up that she decided to make this passion of hers goes beyond personal, but into a professional and business undertaking.

Thus, the birth of KARIMADON, a fashion label that is now making the rounds in prestigious international fashion week shows, bringing the Filipino designer into the league of the world’s best.

The company

KARIMADON, the country’s trusted retail brand for more than 35 years, is a sought after brand for its distinctive style in ready to wear formal and casual wear.

KARIMADON is a family owned business that began in 1980 by couple Richard and Josie. They manufacture their entire line here in the Philippines.

Go, president and CEO of KARIMADON, disclosed that the brand name is actually an acronym of names from her family members, that’s why the letters are all in upper case.

KARIMADON stands for: KAren, Richard, MAuricia, DONdexter.

She also disclosed that the business started because of her fondness for dresses. She decided to make a business out of her passion in dressing up and shopping.

Today, KARIMADON has more than 30 distribution outlets all over the Philippines, with stores strategically located in major malls and department stores.

Though contented with the success of KARIMADON in its local operation, the patronage of visiting foreign nationals on their clothes line opened their eyes to expand distribution in other countries.

Its initial distribution to the neighboring Asian countries, like Jakarta in Indonesia, has been well received and is quickly getting its own loyal patronage.

This all-Filipino brand is best known for their reasonably priced items with a world-class elegance. KARIMADON boasts of fashionably easy-to-wear pieces with a snug fit that makes buyers feel like the items are tailor-made for their size.

KARIMADON has available dresses appropriate for any occasion — from smart casuals, daily corporate wear, after office cocktail to high fashion evening gowns.

KARIMADON understands the need of the women-on-the go. That is why their dresses are easy to care for – with not so delicate fabrics, but surely of great quality.

As an added service to their loyal customers, stand alone stores of KARIMADON provide alterations service in case adjustment is necessary.

And good news for those who want more, KARIMADON can also do special orders, so if you are interested to have a particular design made for your size.

Local designers

Go has only faith in the local designers.

“There is nothing wrong with our local designers, I believe they are very talented,” she adds.

“Our local designers now are very open to trying new styles and trends.”

Go cited the Filipino designers for being very innovative on the pieces that they design. At KARIMADON, Go holds competition among young aspiring designers to help them get exposure to the fashion industry.

Go is proud that she has an all-Filipino team of designers. They also maintain a medium size production team.

“I design together with our head designer Embi Nicolas, our team is proudly all-Filipino designers,” she adds.

Go primarily designs KARIMADON dresses and let her production team execute it.

Fashion shows

KARIMADON has participated successfully in various fashion shows here and abroad, breaking barriers for young and talented Filipino fashion designers.

In 2015, KARIMADON participated in the Fashion Convention organized by the Philippine Franchise Association in Indonesia and in Dubai.

Last March, KARIMADON participated at the Vancouver, Canada Fashion Week. That was the local label’s first fashion show overseas.

“It was a huge success. Everything went perfectly well at the Vancouver, Canada Fashion Week,” says Go, humbled by the experience.

For its first fashion show debut overseas, KARIMADON’s fashion show collections are a mixture of velour, faux fur materials and finely made flowy gowns in deep blue, burgundy, and blush color palette.

With the successful participation in Vancouver, Go said they have received several inquiries from interested buyers and distributors.

KARIMADON has also received another invitation from Vancouver, Canada Fashion Week to join their Fall/Winter 2017 collection after one of the organizers saw their pieces worn by fashion bloggers. KARIMADON is the first retail brand from the Philippines that was invited at such a prestigious fashion show.

But that’s just the tip the iceberg. KARIMADON was also invited by Fashion Gallery to participate in the New York Fashion Week Spring/Summer 2018.


While there has been an influx of new fashion labels, Go says that its staying power has to do with its consistency and sensitivity to those who wear with their clothes.

“At KARIMADON, we don’t just follow trends but we make sure that anybody who wears our pieces would feel beautiful and confident. They get the items at affordable price but at the same time it is good quality and will not go out of trend,” says Go.

In fact, Go says that the saying, “In fashion, today you’re in, tomorrow you’re out” may not be necessarily true in the industry.

“This saying may be true for those who follow trends, but in KARIMADON styles that we produce remain classic and will never go out of trend, most importantly we continuously adapt to the demands of our target market,” says Go.

Go herself wears KARIMADON clothes and for which she always gets complimented.

KARIMADON refers its fashion pieces as “affordable luxury.” By this, Go means they make sure that is clothes are accessible to everybody who wants to feel beautiful and confident.

“We source our materials abroad, but 98 percent of our pieces are locally made,” she adds.

In the world of fashion though, Go agreed that one can never buy class.

“No matter how beautiful, expensive or luxurious your possessions are, it should reflect your personality and attitude towards other people,” says Go.

Through the years, Go believes that Filipinos have evolved and has started to become sophisticated and trendsetters wherever they are around the globe.

“We have embraced fashion in which we become more open in trying new styles,” she adds.


With several fashion retailers, local and foreign entering the market, the only thing that makes KARIMADON compete is its ability to please its customers.

“There are really a lot of competition in the market, but we make sure that we give the best customer satisfaction, so they come back,” she said.

Go did not give an exact amount as to how much the company has invested already, but suffice it to say that it has grown substantially because the company has been reinvesting its earnings. It is now employing more than 100 workers.

In the next five years, Go said KARIMADON will be accessible to everyone who wants to be fashionable as it sets its sights to expand further in the country even as it aggressively reach out for new markets overseas.

Despite running a business and enjoying the rewards that come with it, Go is also in the forefront of making the industry relevant to the times.

If there is anything that concerns Go in the world of fashion, it is about the environmental impact of the fashion industry.

“In the fashion industry, it is believed that it’s contributing a big percentage of trash in the world,” says Go.

Hence, she is calling for more studies on how to make the materials for fashion biodegradable and eco-friendly.


Her love for fashion and what is fashionable are the things that fuel her. Go cannot imagine herself working in another industry.

“My heart and passion is in the fashion industry,” she says.

This industry has taught her to never stop learning and evolving. She attributed her staying power to the focus that she puts into this business.

This is a fast-paced industry and being ahead of your competition is one of the challenges every retailer should work for.

Despite these challenges, Go said that the KARIMADON family share the business with employees. The company always treats employees as friends and family.

“They can approach me for their concern and request. That being said I can also say that I am very hands on with the company. Even if the company has grown, I still keep my feet on the ground,” adds Go, who spends her spare time traveling with family and friends.

Go has been in the business long enough to be one of the luminaries of women apparel.

Her passion, we can say, is what makes the business sustainable. Without it, KARIMADON will not be where it is today – standing tall amid a sea of new fashion labels.Read more at:formal dresses adelaide

04:06 Publié dans fashion | Lien permanent | Commentaires (0)


Art, fashion, interactivity intersect in exhibit

(Photo:plus size formal dresses)

A “wearable moral display” dress and a coat that lets you “wear your story” are just two of the startling works in a new show.

Combining digital technologies with custom design, the “Coded_Couture” exhibit is at Oklahoma Contemporary, 3000 General Pershing Blvd.

Displayed on a stand with video, the “Holy Dress” resembles a very short, very “little black dress,” enclosed in a copper wire superstructure.

A text informs us that a lie detector and collar for training dogs enable the dress to administer shocks in response to lies by its wearer.

Mellisa Coleman, one of its three Netherlands designers, said the functions of the shocks are to “cleanse you of your sin … and train you to be truthful.”

Adding a slightly risque commentary is the video, containing references to a vanitas theme, and an Eve-like model, biting an apple.

Coleman also designed the trench coat, which stores dated, audio file punch cards, on its inside flaps, letting you “literally wear your own story on your person.”

Equally intriguing is an “iMiniSkirt,” created by London artists Francesca Rosella and Ryan Genz, which changes color due to “real-time audience imput.”

Called “the world's first Haute Couture Twitter Dress,” it consists of a blue V-necked top over a white skirt on whose flaps flame-like patterns appear.

Nearly hypnotic are two gauzy white dresses made from super organza, photo-luminescent thread, light sensors and electronic devices by Chinese Montreal artist Ying Gao.

Described as “a master of the ephemeral,” Gao imbeds the dresses “with eye-tracking technology that is activated by a specator's gaze,” we are informed.

Catching our eye, too, is a wall display by French artist Cedric Flazinski of outlandish white leather shoes, based on responses to a psychological questionnaire.

Rotterdam artist Marloes ten Bhomer offers us shoes based on the “specific physiognomy of each wearer's foot.”

Ten Bhomer also supplies the show with a nearly surreal video of a high-heeled foot, stepping on various things with wildly varied results.

Ruffled feathers become literal, responding to emotional changes in the wearer's heartbeat, in a “Biowear” garment by New York City artist Rebeccah Pailes-Friedman.

Taiwan-born, New York artist Alison Tsai bases a white coat, black coat and long dress on “a cryptographic system that translates habits and rituals into pattern, material and texture.”

Small model garments by Brooklyn artist Mary Huang encourage us to visualize the potential of letting people “draw” their own “D.dress” using an online program.

“Apparel,” a neoprene garment and video, by the French collaborative Normals, lets viewers connect, via their smart phones, to the actual piece of clothing on display.Read more

08:33 Publié dans fashion | Lien permanent | Commentaires (0)


Mango Does Not Want Other Brands Using the Word Mango

Big fashion brands, such as Louis Vuitton and co., often get a bad name for policing others’ unauthorized uses of their names. Paris-based Louis Vuitton has been called a “trademark bully” by multiple plaintiffs and judges for sending strongly-worded cease and desists letters and filing lawsuits when others use its trademarks. Hermès was smeared in the press after filing suit against counterfeiters in Australia, and Chanel has not made many friends in its fight against fakes.

Well, with a single trademark opposition, Mango has arguably put all of them to shame. The Spanish fast fashion giant waged war against South Korean skincare company, TheFaceShop, earlier this year seeking to block it from registering a trademark containing the word “Mango.”

However, the fast fashion retailer is taking it a bit too far, according to the Singapore Intellectual Property Office, at least, in part, because its name is the same as a common fruit, which could be used to describe – well, cosmetics containing mango ingredients, for one thing – which is exactly what TheFaceShop is trying to do.

On the heels of Mango filing to oppose one of TheFaceShop’s pending trademark applications – a trademark for “Mango Seed” for use on cosmetics that contain mango seed oil – the Intellectual Property Office of Singapore has ruled against Consolidated Artists, the company that holds all of the trademarks associated with the Mango brand.

While the Singapore IP Office acknowledged that the two parties’ marks shared some similarities (namely, the word “mango”), they are "more dissimilar than similar in totality,” largely because TheFaceShop is not seeking registration for the words “Mango Seed” alone but for “Mango Seed TheFaceShop.”

In siding with TheFaceShop, the IP Office held that "in relation to the likelihood of confusion, there is no risk of misperception of co-branding or any likelihood of confusion in the sense of an economic link between the parties.” And as a result, TheFaceShop should be permitted to have its mark registered despite the existence of the already-registered “Mango” marks in the same class of goods.

TheFaceShop might have won one in this matter, but the validity of its soon-to-be-registered trademark and whether it can file for similar protection in the U.S. is another matter entirely. Because TheFaceShop’s “Mango Seed” products contain mango seed oil, the mark is pretty darn descriptive of the products themselves.

With that in mind, TheFaceShop would have an uphill battle – in the U.S., at least – proving that its otherwise weak trademark has gained secondary meaning amongst consumers, meaning that they have come to see the “Mango Seed” mark as an identifier of TheFaceShop brand. The addition of the “TheFaceShop” to the end of the mark will certainly help.Read more at:formal dresses adelaide | formal dresses perth

04:08 Publié dans fashion | Lien permanent | Commentaires (0)